by Billy Collins | ||
Some days I put the people in their places at the table, bend their legs at the knees, if they come with that feature, and fix them into the tiny wooden chairs. All afternoon they face one another, the man in the brown suit, the woman in the blue dress, perfectly motionless, perfectly behaved. But other days, I am the one who is lifted up by the ribs, then lowered into the dining room of a dollhouse to sit with the others at the long table. Very funny, but how would you like it if you never knew from one day to the next if you were going to spend it striding around like a vivid god, your shoulders in the clouds, or sitting down there amidst the wallpaper, staring straight ahead with your little plastic face? | ||
Wednesday, August 22, 2012
Somedays
Tuesday, August 21, 2012
Dialect of a Skirt
The young girl wanted a new voice. After all, people got
new things every day. A new hip, a new nose, a new set
of suspenders. She adored the consonants that landed
like wooden shoes. She loved the type of L-sounds
that made a mouth drool from the back of the tongue
to the front. She practiced her new voice into seashells,
tin cans, caves. She gave her first performance quietly,
into the ear of her sleeping dog. She could tell by his snorting
that his dreams were of fat tree trunks and black, truffle-filled
soil. Later, she drove to the local gas station and used her new
voice to ask for a pack of cigarettes. She wasn't wearing a bra,
but the attendant didn't notice. He was too busy listening
to the way sound seemed to drip out of her mouth
as she said the word, Camel.
| ||||
Thursday, June 21, 2012
Grief
Trying to remember you
is like carrying water
in my hands a long distance
across sand. Somewhere people are waiting.
They have drunk nothing for days.
Your name was the food I lived on;
now my mouth is full of dirt and ash.
To say your name was to be surrounded
by feathers and silk; now, reaching out,
I touch glass and barbed wire.
Your name was the thread connecting my life;
now I am fragments on a tailor's floor.
I was dancing when I
learned of your death; may
my feet be severed from my body.
in my hands a long distance
across sand. Somewhere people are waiting.
They have drunk nothing for days.
Your name was the food I lived on;
now my mouth is full of dirt and ash.
To say your name was to be surrounded
by feathers and silk; now, reaching out,
I touch glass and barbed wire.
Your name was the thread connecting my life;
now I am fragments on a tailor's floor.
I was dancing when I
learned of your death; may
my feet be severed from my body.
Stephen Dobyns
Balances
in life
one is always
balancing
like we juggle our mothers
against our fathers
or one teacher
against another
(only to balance our grade average)
3 grains of salt
to one ounce truth
our sweet black essence
or the funky honkies down the street
and lately i’ve begun wondering
if you're trying to tell me something
we used to talk all night
and do things alone together
and i’ve begun
(as a reaction to a feeling)
to balance
the pleasure of loneliness
against the pain
of loving you
one is always
balancing
like we juggle our mothers
against our fathers
or one teacher
against another
(only to balance our grade average)
3 grains of salt
to one ounce truth
our sweet black essence
or the funky honkies down the street
and lately i’ve begun wondering
if you're trying to tell me something
we used to talk all night
and do things alone together
and i’ve begun
(as a reaction to a feeling)
to balance
the pleasure of loneliness
against the pain
of loving you
—Nikki Giovanni
Saturday, May 5, 2012
Communication
She purposely did not wear panties
stood above his head to pretend-adjust
the lights above.
He looked up
and wondered if he'd remembered
to turn out the lights at his house,
knowing from her smile
that he would sleep and wake
beside her again.
Friday, May 4, 2012
Hymn
Outside the window,
hymns filled the church's halls,
flowed onto the sidewalks,
into the streets.
A boy lifted his head to follow the sound
to the church window then stared at the window beside it
the one with daffodils brightly drooping against the pane.
Inside
she is sitting in yesterday's petticoat
legs raw from running
from her heart being pressed to the rotating blade of his smile
she'd sworn off 2 seasons ago.
In the winter,
as thick blood rose to the skin's surface and froze,
she thought,
This is all right. This, it's really not so bad.
'Cept now, it is summer so
it begins to thaw, as the cut reopens, the past still thick and brooding
oozing onto the hard wooden floors.
2 Cents
I ate too much
drank too much
paid too much
stayed too long
waited too long
took too long
so I thought this time,
for you,
I might try to do it right.
Tool Kit
If you must know
I'm not waiting for anyone today
The lines I drew to my center
follows me
even as I sit to avoid the sun
there isn't anyone to talk to
I slept in the same sheets since the day he left,
his dirty socks still balled up in the corner of the room
in his drawer, a "Virginia is for Lovers" t-shirt,
a pair of boxers and some grey shorts.
Everyday he becomes a little less on the sheets
Yet as for me…
I don't try to fake resilience.
It is that time of the day again
to wear my clothes inside out
to take them off the right way
And surely
there is there is a cure for this madness
as there is the feigned undying to cure
the silence of being alone.
Wednesday, April 18, 2012
A Girl Without a Past
i lay upon the crisp sheets before you
to come to you without a past.
to never hear nor tell
those stories
long cords coiled red
frayed to the wire at the edges
for those aren't our stories
they're everyone else's but ours
so im far and distant a complete
an un-storied girl before you.
before you. i come
i come loudly with streaming fears and tears
without a past i come
i come so violently
i crash into your body
and for that moment a question hovers above your lips
so i say shhh. it's just you.
it's always just been you.
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